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For example, a character may hate her stepfather because he's not her Dad, but when the stepfather helps her out of an embarrassing situation, this perceived antagonist becomes an ally. Antagonists need to custom fit the story. It's up to you to show your readers why your main character struggles against this particular obstacle. In Dr. Seuss' classic How the Grinch Stole Christmas, the protagonist is actually the least-likable character in the book. He's fighting against the joy of celebrating the Christmas holiday. If readers didn't believe that there was something in the Grinch that made him incapable of feeling joy,lace weddi, and they didn't sympathize with the Grinch and want him to change, then the idea of not embracing a day of presents and feasting would be inconceivable. With picture books and easy readers, the antagonist is usually concrete and easily-identifiable. It's a person or a specific event. As readers mature,Cheap wedding dress & bridal gowns under $100, the antagonists can become more abstract and complex. Often, what the protagonist is fighting against is really something inside herself. In last year's Newbery winner, The Higher Power of Lucky, Susan Patron crafted the uplifting story of a 10-year-old girl bouncing between her (erroneous) belief that her guardian was planning on turning her over to an orphanage, and eavesdropping on 12-step meetings in the hopes of finding her own "higher power" to give her strength. Jerry Spinelli's haunting middle grade novel Wringer takes place in the fictional Waymer, where the annual Family Fest involves a live pigeon shoot. Ten-year-old boys are enlisted to wring the necks of wounded pigeons. Palmer dreads his upcoming 10th birthday, torn between wanting to fit in and being repulsed at the idea of killing a bird.